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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond in Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the pair achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a seminal work of electronic music.

He later formed the pioneering electronic act The Grid, who secured chart success with 1994's the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, just weeks after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

During that show, Ball performed in a mobility chair, as he had for the previous couple of years, following a period of health issues.

"I ended up injure myself quite a bit," he stated in a recent interview. "I broke spinal bones in my back and fractured about five ribs and fractured my wrist."

After contracting a lung infection and developing sepsis, he was put in an induced coma and remained in the hospital for half a year.

However, he had been in "a great place mentally" over the warmer months, as he was developing a new album with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was concentrated and so happy with the new album that we literally completed only a short time ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the early 1980s

Tributes

Almond described his bandmate as "a wonderfully brilliant musical genius", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant aspect of my existence and for the songs you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a partnership with someone is different from being in a group, the connection is incredibly close," he continued.
"That was the case with us. We went through so many remarkable, incredible, life-affirming moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Brought into the world into a one-parent family in Chester in 1959, Ball was given up for adoption when he was 18 months old.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who altered his given name from Paul to his adopted name, alongside his sibling Susan, who was also adopted.

He met Almond at Leeds Polytechnic in 1977, where they were both studying art. Fuelled by a shared love of Northern Soul, they formed Soft Cell the very year, and quickly produced an extended play.

Musical Partnership

The duo were an unusual combination: Ball was the quiet musician, bent over his keyboard, while Almond was a flamboyant showman, all sparkle and eye-liner; but they achieved a rare creative synergy.

Ball had developed a interest with synthesizers after viewing the band Kraftwerk appear on BBC science show Tomorrow's World, and started to combine dark electronica to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of the early 80s, selling 21 million units globally. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the way for the electronic music style of the 80s.

The song was also featured on their full-length debut, their initial LP, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's death

Professional Journey

Success had its benefits. "I enjoyed being able to afford my initial property, having money and travelling, which might seem like a Miss World," Ball not long ago told with a publication.

But it also caused problems. "Sudden riches meant we could afford substances to alleviate the boredom" of media interviews and television shows, Ball said.

"I know that's a cliché, but it's a cliché for a valid cause, because it applies for so many musicians."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they succeeded to produce a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on other projects.

Almond went on to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the charting album Cruelty Without Beauty.

Following a further break, they returned in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on 30 September, 2018.

Yet, they remained active, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the duo's upcoming release as a homage to the New York club scene they frequented while recording their first two albums.

He noted that his time in hospital had shaped the band's sound.

"I experienced unusual memories when I was coming and going of the hospital because I was on morphine," he told a publication.
"Our latest tracks are a digital reflection of the noises in my head from those days.
"In parallel, it's about the times me and Marc had in the 1980s."

The last versions were finished only days before Ball died. It is due for release in the spring of 2026.

The writer

Sarah Williams

Digital culture analyst and PhD in Media Studies, exploring the intersection of technology and society.

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